Rather than tear apart my ceiling, I’ve tried to compensate by being creative.Įssentially, my speaker layout would probably work pretty well for Auro-3D, if I cared about that format. Now I have speakers in less-than-ideal locations for Atmos and can’t move them without remodeling the room, which won’t be a realistic option anytime soon. Unfortunately, I have a very compromised height speaker layout due to the way I’d wired and mounted speakers when I built the theater room, before Atmos was ever a concern. ![]() These graphics do not represent where speakers are actually located in my own home theater. That’s all well and good, but the real world rarely meets such ideals. For the purposes of explaining the theory behind that process, I illustrated where the speakers should be mounted, for best results following Dolby speaker position guidelines. ![]() In previous articles on this subject ( start here), I’ve described how I integrated two additional AVRs into my home theater system in order to extract Top Middle speaker channels between my Top Front and Top Rear positions. After cobbling together a complicated D-I-Y system that uses three A/V receivers to derive six height channels of Dolby Atmos audio, how much further could I expand my surround sound experience? Let’s go to eight!
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